
a kind of mock up of how the posters will look
However, My favourite outcome from that project was a more conceptual typeface, inspired by my research into Ball's own practise and philosophy.
Ball's sound poems were an attempt at a more meaningful form of human communication by the breaking up of words into sounds and fragments.
My original piece for him was just 'ya bass written in the style of the typeface above, but this sort of betrayed my original concept, so Phil suggested muddling the title up. This perfect compromise not only preserves the meaning of my original work, but also enhances the meaning of Phil's title. He is clever. 